- Through the Fanlight Glass: Space and the Dublin Townhouse
- Striped shirts and hoodies: dressing for urban disorder
- One eye on posterity and one eye on the neighbours: watching oneself in the 1950s
- The Politics of Art: Writing the Arab Spring
- Political and Social Density in the age of Bubbles: Making Sense of the Present and the Past
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Category Archives: Film and television
Recently I have begun to think anew about space. No not what lies above in the starry heavens, but instead the spaces we inhabit and how we use them. Some of these spatial thoughts have been influenced by the practicalities of an impending move abroad, and the realisation I won’t have space for my whole library! Most of these thoughts have been inspired by my rather eclectic reading and watching experiences over the last few weeks, not to mention ongoing discussions about a proposal for a TV documentary on cooking and eating in the Irish country house (More of that in the future perhaps). Watching TV3’s fantastic documentary on Dublin’s Tenements has encouraged me to consider more fully the changing functions and arrangements of Dublin’s townhouses. The programme together with a relatively recent visit to New York’s brilliant Tenement Museum (why don’t we have one?) has given me a new insight into the appalling reality that lay behind so many beautiful if faded Georgian facades. Continue reading
History tends to focus on important, pivotal moments; times of war, calamity, accelerated social change, revolution or unrest. But what happens when life gets back to ‘normal’ so to speak? When things began to calm down after those first few weeks of 1789 – even though the revolution continued – some people at least had to get back to work. And in May 1945, what happened after the first few days of relief and celebration? Soldiers returned home and everyone had to adjust to life as normal. But what is normal, in historical terms? And does it ever feel normal to those living through it?
These are some of the questions that the Mass Observation project, set up in Britain in the 1930s, sought to address. So-called ordinary people all over Britain were asked to keep diaries recording the details of their day-to-day lives. The aim, in the words of the organisers, was to bring about a ‘science of ourselves’. Nella Last was one such person; a housewife from the north of England, her wartime diaries were made into a television series, ‘Housewife, 49’. Unlike many of the other participants, she kept writing steadily almost to the end of her life, her diaries continuing right into the 1960s. Her lively and perceptive account of her own life is now published in three volumes, the last of which, Nella Last in the 1950s, was finally published in 2010.