Tag Archives: Antonio Tabucchi

The Politics of Art: Writing the Arab Spring

Ever since I read the excellent Pereira Maintains in January, I’ve been meaning to write about it properly, but never quite got around to it. A novel by Italian writer Antonio Tabucchi set in 1930s Lisbon, it is told from the point of view of a middle-aged literary newspaper editor who becomes a reluctant witness to the violence and repression of Salazar’s brand of fascism and dictatorship. The story is sparse and simply told; stripped down to basics so much it reads almost like a fable, which Tabucchi uses to pose some powerful questions. What is the point of the printed word in a dictatorship, when newspapers aren’t allowed to inform people as to what is going on? And what is the role of literature, of art in a society such as this? When I went to the Artists in the World panel discussion as part of the Dublin Writers’ Festival a few weeks ago, I was reminded of the stark narrative of Pereira Maintains. Continue reading

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‘When the press is gagged, the reader has to read between the lines’… Piero Gobetti and antifascist Italy

In a time of political crisis, when real power eludes us or there is huge uncertainty about what we want or how to solve our problems, words may be the best weapon we have. It is journalism and editorial comment that so often articulate the mood, and the concerns of a society, and through words – whether printed or increasingly online – that we manage to reflect meaningfully on what is going on, and even to sketch out, discuss and debate ideas and possible solutions. The value of good editorial commentary – whether in national newspapers or blogs; Fintan O’Toole or Ireland after Nama – has become increasingly clear during Ireland’s recent years of political crisis. The more immediate Egyptian crisis is another, urgent indication of courageous, independent voices, even if their medium is more likely to be twitter than print newspapers. One of the books I read over Christmas – a brilliant, slim volume by Italian writer Antonio Tabucchi called Pereira Maintains and set in Salazar’s Portugal – is another powerful testimony to the editor’s unique potential, and indeed his or her responsibility, to use the printing press to spread necessary ideas and truths, even in great danger. Continue reading

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